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A Journey through Otherworld, presented by the Art Museum at the University of Toronto

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‍ ‍06 March 2025 ‍ ‍

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A Journey through Otherworld A multi-sensory program of workshops, tours, and presentations

A Journey through Otherworld 

A multi-sensory program of workshops, tours, and presentations

March 12–15, 2025 

Presented by the Art Museum at the University of Toronto

 

 

Guest curated by Bushra Junaid, and supported by Curator of Programs, Drea Asibey, the Art Museum at the University of Toronto presents A Journey through Otherworld, a multi-sensory program of workshops, tours, and presentations inspired by Camille Turner’s Otherworld exhibition, on view at the Art Museum through March 22, 2025. 

 

Utilizing Afrofuturism to reimagine the past, present, and liberated and whole futures, Otherworld explores the silences of Canada’s colonial past with particular focus on Newfoundland and Labrador’s social, economic, and geological entanglements with the Black Atlantic, including its connections to the transatlantic slave trade. 

 

Engage your senses and move, listen, taste, touch, visualize, and imagine through a program of hands-on activities designed to educate, inform, and inspire, while building public memory and encouraging healing.  

 

All events are free and open to the public!  

Program Schedule  

  

Afronautic Research Lab: Workshop with Outerregion 

March 12, 6pm–8pm 

University of Toronto Art Centre 

 

In this workshop, Outerregion (led by Afronauts Camille, Karen, and Lee Turner) guides participants through historical archives immersing them in complex and overlooked histories.  

 

Marking the Future: Afrofuturism, Storytelling, Printmaking, and Collage Workshop 

March 13, 11am–1pm 

Hart House, Reading Room  

 

In collaboration with Hart House's Get Crafty! and Black Futures, this hands-on, drop-in workshop co-led by Queen Kukoyi and Jasmine Vanstone of OddSide Arts offers a space to reclaim and retell stories through the lens of Afrofuturism. 

 

Panel Discussion: Connecting with the Ancestors through the Archive 

March 13, 6pm–7:30pm 
Hart House, Debates Room 

 

This panel brings together a multidisciplinary group of artists, historians, and thinkers—Dr. Shauna Sweeney, Dr. Seika Boye, Dr. Karina Vernon, and Dr. Melanie J. Newton—to share how they have delved into archives and claimed ancestral memory to develop artistic and/or scholarly responses to the Black Atlantic. Moderated by Dr. Alissa Trotz. 

 

Panel Discussion: Our ancestors’ wildest dreams  

March 14, 3:30pm–5pm 

University College, UC 140 

 

A dynamic panel of multidisciplinary artists—Emilie Jabouin, Ésery Mondésir, Diane Roberts, and SA Smythe—explore how history, personal and collective archives, memory, ancestry, and legacy inform their creative practices, community engagement, and world-making. 

 

Artist Keynote: Camille Turner 
March 14, 6pm–7pm 

University College, UC 140 

Followed by a reception at 7pm 
University of Toronto Art Centre

 

In this public presentation, artist and scholar Camille Turner explores the central themes and research methodology behind her artistic practice and the interdisciplinary works presented in her exhibition Otherworld. Following the lecture, a reception offers a taste of new world cuisine shaped by the trade in saltfish, sugar, molasses, and rum. 

 

Afrofuturist Movements: African Dance Workshop with Miss Coco Murray and Coco Collective  
March 15, 12:30pm–2:30pm 
Hart House Fitness Centre, Dance and Exercise Room 

 

Through unified sound and rhythm, artist-scholar and dance educator Collette Murray (aka Miss Coco Murray) and musicians lead participants in a dance and movement workshop. 

 

Closing Keynote: gli tXh! Performance and Celebration 

March 15, 3pm–6pm 
University College, UC179 


Followed by a community gathering at the University College, Paul Cadario Conference Centre, 6pm–8pm

 

In this keynote address, multi-genre writer m. nourbeSe explores the technological currents in her eponymous poem Zong! and the project gli tXh!, which explores the congruences, resonances, and dissonances that appear when contemporary and current digital technologies encounter the legacies of the spiritual and artistic technologies of Africa. Join for a multidisciplinary exploration of the concept of “gli tXh” through music, poetry, performance, visual art, and dance. 

 

For the full schedule, program descriptions, artist bios, and to register, visit artmuseum.utoronto.ca/program/a-journey-through-otherworld 

 

More information about the Otherworld exhibition on view through March 22, 2025: 

artmuseum.utoronto.ca/exhibition/otherworld/ 

 


Our Supporters 

 

The Art Museum gratefully acknowledges operating support from the Canada Council for the Arts, the Ontario Arts Council, the Government of Ontario, and the Toronto Arts Council. Special support for Otherworld has been provided by the Jackman Humanities Institute as part of its 2024–25 annual theme, Undergrounds/Underworlds. Research for the exhibition was developed through a Provost’s Postdoctoral Fellowship at the Daniels Faculty of Landscape, Architecture, and Design (2022–24). 


We acknowledge support from A Journey through Otherworld’s Presenting Partner: Toronto History Museums—a network of 10 historic sites owned and operated by the City of Toronto.


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Visiting the Art Museum 

  

Justina M. Barnicke Gallery  
Hart House  
7 Hart House Circle  
Toronto, Ontario M5S 3H3  
 
University of Toronto Art Centre  
University College  
15 King’s College Circle  
Toronto, Ontario M5S 3H7  
 
Museum Hours  
Tuesday to Saturday, 12 noon–5pm  
Wednesday, 12 noon–8pm  
Sunday and Monday, closed.  
 
Admission is free. All are welcome!  
  

Instagram | Facebook | X (Twitter) 

artmuseum.utoronto.ca 
[email protected] 
416-978-8398 

 



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